Following the release of Double Exposure, online editor Rosie Accola sat down with The Winter Passing's Kate Flynn to discuss the creative process and transition from the bands 2015 release A Different Space of Mind, collaborative writing, musical inspirations, and more. Check out the Q&A below and also read Rosie's review of Double Exposure here.
Hooligan Mag (H.M.): How has your sound grown between your first and second record? What did you learn while making your first record that has helped you the most as musicians?
Our sound has grown a lot since A Different Space of Mind. We did a lot of touring after we released ADSOM, so from that alone we became a tighter and more confident band live. That helped a lot when the time came to write and record Double Exposure. Also we are a couple of years older with different life experiences and different mindsets so I feel that comes into play in the music we wrote for Double Exposure.
Personally, what's changed for me since recording ADSOM is that I feel more confident about myself as a musician. When we recorded ADSOM, it was my first time in a real recording studio which was a big learning curve for me. I wasn't all that sure of myself as a musician and it all felt very new. I was more involved during the writing period for our new record and that really helped when it came to recording it. I felt more sure of myself and a little more confident when we were recording Double Exposure. We all got a little bit more wondrous on what we could do with these songs—individually and collaboratively—so we are extremely proud of what we've created with this EP.
H.M.: What’s your favorite part of the music scene in Ireland? How does it differ from other music scenes throughout Europe and the U.S.?
Ireland's music scene has always been really transformative and truly inspiring to the music we write and the people we are. It's a very special scene to be apart of and one I'm very proud to be apart of. There's so many different music scenes active in all the capital cities around Ireland across so many different genres of music. I was introduced to the hardcore punk scene by my brother when I was about 15 years old. My first ever local show was a day show called Life & Death Fest in Dublin. There was about 20 hardcore bands from Ireland and the UK playing in a small and very warm room in a venue called The Tap. I had never been to a DIY/hardcore punk show before so I remember being completely inspired by it. It was the sort of feeling that left me counting down the days in school until my next trip to Dublin to a local show.
I guess how it differs from Europe and the US is that the Irish music scene is small, especially in the DIY spectrum. Everyone knows each other and supports each other. Chances are if you're in a band in the Dublin scene, you're probably in like ten other bands too! In comparison to Europe or American punk scenes, the shows and community in those areas are much bigger, more spread out and divided also into smaller sub genres within punk music. But for the most part, shows still feel like shows to me everywhere I've been so far!
H.M.: What made you want to start playing music? What drives you to create?
Music for me was inherited. I grew up in a musical house, my dad has always loved country music and always encouraged my brother and I to play from a young age. Our parents would send us to music lessons and we would perform music pretty much every day! My real love has been and always will be singing. I've been singing since I was extremely young. My dad brought me home a Britney Spears live in concert video tape and since the first watch of that I've been throwing my voice around.
My drive for creation is really a personal thing, I suppose. I find great satisfaction from performing music and writing music with TWP. It's a personal development sort of thing and that drives me to always surprise myself. I want to see how far I can go and what I can do next. To be honest, I'm laughing as I write this, but music has been the only thing I've ever put my hand to and stuck with. It sort of stuck with me too. We've been fortunate enough to experience some amazing opportunities over the past few years and I guess that also drives me to continue our musical journey! If you told 15 year old me that playing music was going to open doors such as traveling the East Coast of America in a van - that shy kid would have told you that you've probably got the wrong kid.
H.M.: Who are some of your favorite artists (musical or otherwise)?
Musically I've always been really inspired and in awe of artists like The Distillers, Jimmy Eat World, Björk, Yeah Yeah Yeahs, Bikini Kill, Patti Smith. Recently it's been artists such as Bleached, Julien Baker, Mitski and Frankie Cosmos and Cende. I also really loving reading. I'm slowly but surely getting through every Stephen King book there is. Reading "IT" is still one of my biggest achievements.
H.M.: The lyrical content of your latest E.P. deals with the daily struggles of living with anxiety, do you have any tips on how to deal with anxiety that you’ve found to be helpful?
Double Exposure is definitely a journey in the daily struggles of anxiety so thank you for getting that. Everyone is different and how I deal with my anxiety may be completely different to how another individual may deal with theirs and that's okay. The most important thing is to find the thing that you feel most comfortable with when dealing with feelings of anxiety.
First off, even though it's not the easiest thing or tip, talk to someone. Anyone! We live in a time where, thankfully, we talk about mental health. The more often we open dialogue about mental health, we break down the taboo and normalise mental health. Sometimes I write to my best friend and just explain this existential anxiety that I get and she just gets that and that's sick to have that communication.
For me, I like to write it out. I always have. I've been writing a journal since I was a kid. When I write something out, I feel like that's part of the journey for me when dealing and processing feelings I may be having. It doesn't mean the feeling goes away or is magically fixed but it starts the process of me dealing with thoughts, worries, etc. I like to take my feelings and make art from them. I used to hate when people said "exercise" when I said I wasn't feeling too great. Sometimes, the motivation to leave the house or exercise is just not there for me but what I will say, from the times I did muster the motivation, it does help. Even if it's a walk with your dog for a couple of minutes, exercise to a YouTube video on your living room floor, dancing to your favourite record or just sitting in fresh air.
H.M.: I read that the writing process for this record was particularly collaborative, can you describe it? Have you tried writing songs with other people before, or is writing more of a solitary practice for you?
The writing process has always been pretty collaborative when it comes to the TWP. Rob and Col work together on guitar music all the time, that's how we get the skeleton of the songs together and then the band come in at rehearsals and we collaborate to make the music come to life!
Lyrically with this EP, Rob and I both brought a lot to the table. We sat down, put lyrics together from each notebook to each song and that's why we called it Double Exposure, in the end. Most of the songs, in some sense, are two stories. I found that a really interesting aspect and concept of this record. That all being said, I have to write my lyrics alone and Rob writes his lyrical content alone also. Writing lyrics is cathartic for me. So I like to write alone before I even think of putting melodies to the words.
H.M.: Do you have a record that has helped you deal with anxiety? What do you think about music and its ability to explain mental health struggles?
I'm not sure if I have a stand out record that has helped me through anxiety because to be honest, a lot of records have and continue to help. I guess I could say Futures (Jimmy Eat World). Now, that's a record I always revisit when I need a helping hand from an old pal. It never gets old and every time I listen to it, it brings me back to a place that I like to go. Or sometimes I need to dance the sadman away, so in those times I put on some Blondie (or Beyoncé when I feel I need to exercise too) and I go wild.
In other cases, I need to cry. I've always really liked sad songs. Sometimes, I need to let the sadness sit with me, long enough for me to make sense of it and there are particular records that I have to listen to when I'm sad. A few being being Manchester Orchestra's Like A Virgin Losing A Child or Owen's No Good for No One Now.
I've always felt a real connection with a song that can make me cry. If a song makes me feel something so much that I cry, it's done it's job.
Whether it's writing music or listening to it, there is no doubt in the fact that music serves us in struggling with mental health and also explaining it. Sometimes it's just listening to a song and being able to resonate with it better than you could explain the anxiety, yourself. That's the thing about mental health struggles. Sometimes it's too hard to actually explain the feelings. Sometimes a song just does it for you and that's amazing. That's how I feel about the new Paramore record, actually. Every lyric had me literally saying "heck, that's literally how I feel”.
I feel like writing and playing music has helped me so much in terms of understanding my own anxiety but also understanding other people's struggles and that's important. When writing a song, it's like putting all your insides out. Playing that song is letting others see that we all look and feel the same. It's the greatest gift that keeps on giving.