Interview by Rivka Yeker
Ze'ev is comprised of Balto, Clyde, and Zack. The band deliberately bends genre and defies expectation of direction and influence. They are one of Chicago's most innovative bands, and GTP is filled with both chaotic twists & turns and smooth comedowns. Hooligan was able to sit and discuss the record itself and Ze'ev's overall sound / intention.
In what ways is this record different than your previous releases?
Clyde: Kismet, and our previous EPs were very much in the vein of longer drawn out instrumentals and a bit of what I was writing at the time as a small foundation. We were really just starting as a band and building our sound and still are. GTP is a result of what happens when everyone is involved in the writing process as a complete unit.
What message(s) do you want Ze'ev to give to your listeners?
Balto: We literally tolerate no bullshit. We’ve had our fair share of experiences that have made us so tired. This is an album for a marginalized group made by a marginalized group and we hope for those who are struggling, you feel the love and support we have for each other in this album and take those positive vibes with you.
There is a lot of genre-bending in this record, which is so sick. How did you choose what kind of artists you wanted to be featured on the album since there is no one direction its going in?
Zack: Thank you. Our collaborators were all fellow artists who we've been lucky enough to meet and meld minds with over the years. While creating the record, we knew we wanted to have a full collection of voices driving home the themes on this record, not just our own, and we started contacting people who we knew would be able to take our concept and add their own perspectives, strengthening the overall message.
What makes something "Experimental"?
Zack: Experimental is a hard term to define in an overall sense, but I know Ze'ev uses this term as a description to rid ourselves of boundaries. All three of us bring so many disparate influences and experiences to this project and we never want an arbitrary genre label to hold us back. Saying we're an "experimental band" is a way for us to leave every idea we have on the table and never to be afraid to explore anything, musically or otherwise, that we vibe with. It's always been a goal of ours to shapeshift strictly based on our collective intuition, and in my humble opinion, you keep that communication open by allowing it to stay abstract and unlabeled.
I know your tastes vary. The album feels like a mix of skramz, post-rock, sludge, jazz, and twinkly emo. Who and what inspired the record?
Clyde: GTP stems from so many things. Inside jokes within the band, personal struggles, etc. We could talk forever about musical influences but Funkadelic, Kamasi Washington, Thundercat, Unwound, Charles Mingus, and of course, Lil B the Based God are deeply rooted in this album.
What do you hope people feel after listening to GTP?
Balto: I hope people feel love, peace, and patience while listening to this album and what I mean by Patience in particular is that I urge you to really hear what everyone has to say throughout GTP.